It might sound silly but after being together 10+ years it turned out that our wedding was really worth waiting for. We were married on May 30th at East Hampton Point. We worked with a talented and fun group of people across the board and all the parts came together beautifully.
Sesame Letterpress in Dumbo designed and printed our invitations. In sapphire and silver gray, they were sophisticated yet whimsical — the exact mood we wanted to set for the wedding. Robyn Wylde, who is also based in Brooklyn, was our fantastic calligrapher.
I wore Rosa Clara. I fell in love with the dress on the designer’s web site, serendipitously found it on a sample sale rack at my first dress appointment and brought it to Pinpoint Bridal for the alterations. Adam wore Ralph Lauren Black Label. Matthew Green did an amazing job with my hair based on my extremely unclear request for a perfectly imperfect style. I found the lovely hair flower — handmade from antique ribbon — at Tinsel Trading the weekend before we were married. Jennifer Nam is a true, true artist with makeup and gave me a perfectly natural and luminous look.
East Hampton Point had such romantic ambiance, absolutely delicious food and the sunset over the water was incredible! Amagansett Flowers by Beth made the gorgeous arrangements and the unique chuppah where Rabbi Zimmerman from the Jewish Center of the Hamptons married us. Jazz vocalist Tereasa Vinson’s singing graced the cocktails, which we did first (that was a wonderful way to start the evening) and Bud Maltin Music rocked the reception.
And the amazing Janet and Lisa of JL Photografia have given us the ultimate gift of capturing everything so sublimely.
I just love this wedding Amanda at Love Me Do Photography sent over…that cape and those tattoos totally sold me!
Our first wedding of this season was definitely a great one to start off with. We were introduced to Jen and Hooper through co-worker friends of Amanda from the Philadelphia Museum of Art. Jen is a photographer (www.jenbandini.com) and blogger (www.escapetonewyork.net), and Hooper is a painter/drawer (www.hooperturner.com). Since they were on a pretty tight budget, (and because we love their artwork!) we arranged to do a trade of services. We photographed the wedding in exchange for a painting and photograph from each Jen and Hooper, which we both adore!
Their wedding took place on the Ladies Pavilion in Central Park in NYC on the edge of the pond, officiated by Kim Kirkley (ourelegantceremony.com). Kim offered to perform the cermony in exchange for a donation to the Bed-Stuy Volunteer Ambulance Corps, a twenty year-old group that provides transportation and EMT service for a much under-servered area of Brooklyn. It was a grey, windy New York day, but the sky matched Jen’s dress wonderfully and the photos in Central Park are some of our favorites we’ve taken. Music during the ceremony was performed by friends, Austin Hughes and Glendon Jones of M. Shanghai String Band that brought guests to tears. A reception followed at Rue 57 (http://www.rue57.com), hip French Bistro in Midtown, where their guests enjoyed a delicious dinner and celebrated the remainder of the evening with the newly wed couple.
Jen and Hooper designed their own invitations and save the date(http://escape-to-new-york.blogspot.com/2009/04/04202009-our-invitation-i-love.html) which were then letterpress printed by a good friend, Maggie Portis (http://gamewellpress.typepad.com/) as a wedding gift. Jen designed centerpieces, favors, and flowers herself. Handmade masks, personalized bookmarks, and favors were made from clipart downloaded from clipart.com and printed at Kinkos. The paper dolls favors, which were a joint effort between Hooper and Jen – he did the drawings and she designed the layout and packaging. Jen actually ended up printing a lot of stuff on her inkjet printer at home. Jen’s hand-tied bouquet of ranunculus, scabiosa, and lisianthus came from freshroses.com. Jen wore a silk chiffon evening gown was from Bergdorf Goodman, adorned with a custom capelet by Kate Towers, katetowers.com, and gloves by Carolina Amato. Wedding rings were from weddingbands.com. Hooper’s cufflinks were custom-made from typewriter keys by Joy’s Jewels. The cake was made by Cake Alchemy (http://www.cakealchemy.com). And of course, photography by Carina Romano and Amanda Jaffe of Love Me Do Photography.
Rob Price and Kathy Park were married at Ici in Fort Greene, Brooklyn, on May 16, 2009 at 6 pm.
We officially got engaged on February 1. It was, coincidentally, Super Bowl Sunday, so I will forever think of that day as romantic and meaningful. What Rob and I decided right away, from the practical perspective, was that we wanted an intimate wedding that conveyed our personalities down to the details. We also promised each other that with every decision we faced, we’d remember what getting married really means, and we’d have fun with the process. Neither of us could comprehend the idea of becoming crazed over something that was supposed to be joyous, so, we were on the same page from the emotional perspective, too.
Planning our wedding was incredible because it was such an all-encompassing experience that asked us to work individually and together, emotionally and physically, creatively and logistically, and short-term and long-term. Rob and I had worked together before on projects, but this was like the marathon. There were highs and lows, but in the end, I treasure our planning period as much as I do our actual wedding day. We paced things pretty well, so that the last weekend before our wedding, when we had done all the work, we just relaxed…took our first rowboat ride in Central Park, went to P.S. 1, had a leisurely brunch and just enjoyed each other and had time to sort of meditate on the vows we were going to make the following weekend.
What anchored our wedding as an event was the color scheme (gray, green and white), the oval as a motif, a sense of fun, and a classic-with-a-twist vibe. Using those general ideas as a foundation, we found the right venue and created the details. For a living, I do PR, which includes planning lots of events, and Rob is an industrial designer, so we saw the wedding as the ultimate collaboration. Creativity and productivity are two tenets of our relationship, and we wanted our wedding to represent that.
Our logo: We created a logo with our initials in an oval that appeared on the invitations and then again at the ceremony on some of the mirrors and windows. Rob and I then appeared “in” an oval, which was a backdrop during the ceremony, echoing the logo.
Invitation: Rob and I designed the invitation ourselves. It conveyed both classic and modern through the colors and fonts used. Because dark gray cardstock is extremely hard to find, Print Icon created a custom paper for us, essentially gluing three layers of card stock together. We had the cards engraved with white text. Then we made our own green envelope liners and had a simple green grosgrain band that went around the gray and white invitation and vellum reply cards. I hand-addressed each of the 40+ invitations using calligraphy.
Decor: An oval served as a backdrop for me and Rob during the ceremony, creating a portrait and anchoring the all-white minimalist space. We really like the oval shape for many reasons. I like it because I love pictures and the shape reminds me of portraits. Rob likes it because the oval feels classic and modern at the same time. We extended the oval shape throughout the wedding, down to Rob’s green oval cuff links. Something that brought guests into the oval motif were these green oval frames Rob designed, which served as photo backdrops for portraits during the reception.
Often in subtle ways, we put our stamp on every area of the venue that our guests would encounter. For instance, when guests walked up to the wrought-iron gates of Ici, they were met with our logo seemingly etched on the window, and a small painted sign on an oval canvas pointing them upstairs to the wedding space. Also, on each step we placed a pair of green ceramic Korean wedding ducks (symbolic of marriage because they mate for life). And for the bathroom, I had made a gray sink skirt and bought some green hand soap. It was fun making the space ours for the night.
Video: About a month before the wedding, we filmed and edited a music video about the adventure of getting our marriage license. Called License to Wed, the film is about our experience of getting our marriage license. http://www.vimeo.com/4699684 It was a lot of fun screening it at the wedding.
Favors: Rob and I both like to throw pottery, so we made bud vases that served as centerpieces as well as wedding favors. Each piece had our oval logo stamped onto and our wedding date etched onto the bottoms. Each bud vase was unique, reflecting the individuality of each guest.
Neither of us did all the work on any given piece because with each step of the process (throwing, trimming, decorating, stamping, glazing, firing), we shared the experience. Therefore, each gift was really from both of us. Making the favors was a metaphor for the whole wedding process.
Friends: When we could make something, we did, and when we couldn’t, we looked to our friends first. We decided against having a wedding party in order to keep things simple, but we incorporated friends into our wedding in many ways and they became integral participants. This added to the intimate feel of the wedding because everything was made or done with love. Pastry chef Vivian Kamen made our passion fruit and chocolate cake, Photographer Steph Goralnick shot us, Eric Whipple of Crown Signs made vinyls of our logo and Claudia Urquiola was our day-of coordinator.
Venue: We had originally hoped to have our wedding in the stables at Frankie’s 457, but working with them wasn’t pleasant. And then we found Ici, where we really felt we were meant to have our wedding. From the aesthetics of the space to the warmth of the staff to the awesomeness of the food, Ici exceeded our expectations and complemented the feel of our wedding.
The cocktail hat: We had never DIY’d so many things in such a short period of time. No matter how much we had going on, a we’ll-make-it-ourself attitude was constant. I had seen a fancy hat that I liked but it only came in a black and violet fabric combination. When I found out it’d cost around $450 to custom make the hat in shades of ivory, I decided to give it a try myself. Rob helped me design it, too, and I loved the final product. We even sewed in a little antique blue button as my “something blue.” Certainly, seeing so many brides DIY aspects of their weddings on sites like this one, had inspired me.
Table markers: Each of the four tables was a representation of a medium we have used to be creative: Painting, Sketching, Photography, and Sculpture. This conveyed our dedication to living creative lives.
Dress: J. Crew
Bride’s shoes: J. Crew via eBay bidding war
Earrings: Alexis Bittar (Kathy was inspired by similar earrings that Vane wore on her wedding day)
Engagement ring: Doyle and Doyle http://www.doyledoyle.com
Other jewelry: Antique tourmaline and platinum brooch from Ellis Antiques
Stole: Kathy had it made using silk from B&J Fabrics
Cocktail hat: Made by Kathy (Kathy’s first and last try at millinery)
Suit: Banana Republic
Groom’s Shoes: Bottega Veneta
Groom’s watch: Rolex (wedding gift from Kathy’s father)
OK, that video sold me on this being one of the coolest weddings I’ve ever seen! Thanks for sharing Kathy!
Our wedding honored our faith and radiated the love of our families and friends, who so givingly devoted themselves to us throughout the process and the day itself. My sisters were my maids of honor, and Eric’s twin brother was his best man. One sister, a cosmetologist, got up at 5:30 to get ready so she could spend the whole morning doing my hair and makeup. My brother was one of Eric’s groomsmen and Eric’s sister was one of my bridesmaids. Both our dads gave amazing, tear-jerking speeches. My three adorable little cousins were the ring bearers and flower girl. Our bridal party came from as far as San Antonio, Texas! We felt so blessed to be surrounded by (almost) all the people who are important to us.
We were married in Portland, Oregon, at our church building, a large, transformed warehouse. We worked with the feeling of the church’s décor, which mixes raw natural pieces with industrial-feeling elements, a combination we loved and that was perfect for our vision. We are both artists, and wanted our wedding to be representative of us. I was worried about filling such an enormous space – it seats 1,000 people and we had around 200 – but with the huge room dimmed and lighting left mostly to candles, the space became astonishingly intimate. The dim lighting turned the focus to the stage and dramatic elements like long birch tree curtain panels hung from the very tall ceiling, candle-filled gutters along the sides of the aisle, and large arrangements of bare branches and bold, unusual looking flowers. Our lone stage floral spray consisted mostly of tall black pussy willow and forsythia branches. I was stunned to see how it all came together and filled the space so well. Everything was basic and bold, making a dramatic, but not flashy, statement.
Because I was between undergraduate and graduate school, I was able to take on lots of DIY projects in preparation for the wedding. I loved doing this, as it saved money and made everything more personal. Eric and I designed all our paper products, including save the dates, invitations, labels to put on bags of local coffee beans as favors, and 6-page square booklet programs that I sewed together with my machine. I sewed the fabric flower in my hair using lace cut from the bottom of my wedding dress during alterations. Instead of coffee beans for the kids, we assembled bags of jelly beans and included children’s names on the bags to avoid mix-ups and overindulgence. :]
Our standing reception felt like an art show, with people walking around conversing and drinking espresso from two catered carts. We played instrumental, beat-driven songs by Eric’s favorite indie bands. Yours Truly Caterers served an amazing bite-sized hors d’oeuvres spread, along with our special request, crepes with chocolate hazelnut butter and bananas. YUM. Our guest book consisted of two large pieces of canvas hung on a bare wall. Guests wrote and drew on the canvas with multicolored paint pens. There were lots of children in attendance, which we loved. My mom, a former 2nd grade teacher, set up a craft table where kids could glue tissue paper blossoms to paper branches on card stock. We showed a video in which my roommate and her fiancé interviewed Eric and I separately about each other; it was the first time either of us saw it, and it was a huge hit with everyone. My two beautiful sisters both gave speeches and then surprised me by singing “Sisters,” from the old movie White Christmas. I laughed and cried continually throughout the afternoon – it was perfect.
We completely treasure our antique rings (pictured). They are one-of-a-kind, and we can rest knowing we didn’t bring new diamonds into the country. Eric’s band has several different colors of gold inlaid in designs of roses and even a cherub, and it has initials and a wedding date from 1880 engraved inside. My rings are from 1940 and 1960.
In addition to everything I’ve mentioned, one of my favorite memories of the day was catching my 4-year-old cousin, one of my ring bearers and probably the cutest little boy in the world, peeking into the room where the girls were doing hair and makeup (pictured).
I’ve posted a very pretty real wedding over at the Bridal Buzz today, shot by Erik Ekroth. Pop by and check it out! It features my new favorite color, purple!
And if you’ve got a real wedding you’d like to show over at WEtv.com, send them my way! They don’t have to be from Brooklyn either! (though, just to clarify, the weddings I show here on BB have NEVER had to be from Brooklyn, just have a modern aesthetic)